White listlessness upon the leather bound spine gathers up with the wind, creasing the air with every weathered page’s sound, life itself not sturdy enough as print to stop the incessant drain of words that have leaked out of the blank spaces of the mind. The mind, of course, being a representative for actual life. For actual words.
Wind as sweet as the trees which drive it carry the dead, thin passages through the dimensions. The wind’s howl, though soft, rustles the layers of death and leaves the carcass standing still, for it does not have the strength to ruin everything, to affect everything in it’s way. The structure is surely gone, as the black liquid has already vanished, a varnish not suitable for the droplets of purity, for the cleansing it rightly deserves. However the skeleton stands, upright in comparison to what structure actually is, deep and saturated in color, unlike it’s dead predecessor of winding, crinkling, white lies. Lies, if not true, can also be washed and forgotten. A secret, in a way, is an empty surface where the death used to stand.
When the wind seems to stop, and the hollow structure is indeed not hollow, but rather just empty, the print does not feel inclined to find it’s way back. The telling way in which the cream is left pure, or broken if the wind proves stronger than usual, directly showcases the life which has been forgotten. The air, though crisp, is deep and changing. It is symbolic in the sense that to allow such to occur, forgottenness would have already taken place, and the blank mind would have already been formed. (Of course in an extent all minds are deemed blank). And the structure would have been appealing still, have not the judgement been blank in its measures as well. Hollowness, fondly found in a tree, ironically, may not be as apparent as in the dead coffin. For there to be blankness, there must be something to be blank, even if words reappear, though unlikely.
Wayward wind picks up again, fluttering the life, manipulating the death, whiteness aghast at what insolvable misery has become of the darkness that once left. The spine, of course, stays, supporting nothing, supporting everything. The mind, lesser than the spine in a sense, has become aware of it’s fate. Knowledge not meant to jest, the wind does not hold the fate. For, eventually, each white, listless, blank, empty slice of life, will be overturned, will be evaluated for no purpose. Each will have it’s light, it’s darkness. But the mind will stay in place, the spine will not move. Fate is not determined by the wind, as soft and sweet as so. Even a harsh wind will not change the binding; not really.
Winding up in a pattern, an unforgiving combination of wind and misery, each white layer of life will still be blank. For the strongest wind cannot change the fact that all death has left. That the black lettering will not return, even if so replaced, will not give meaning to blankness. The wind carries the ideas around, not very far, for the binding still acts as a skeleton for the mind, still encompasses every blank thought. The wind, then, perhaps stands as a sweet relief, a realization that all of it would have been for nothing. Unless, of course, the absent print means something else entirely. However so, the pattern continues, the white listlessness upon the leather bound spine gathers up with the wind, creasing the air with every weathered page’s sound.